I thought about putting together a blooper reel of our rehearsals but they turned out too insane and esoteric to post in any kind of cohesive way.
Here we have the scene where Marron and Kara finally go head-to-head, where I discuss with Sarah and Charlie where their characters are and how to approach the scene.
Before we took this on, I did a lot of reading on how to be a good director and applied the following:
- Build a schedule – this helps you map your rehearsals, schedule meetings with your producer, and so forth. It also helps to leave some blank spaces between rehearsals for one-on-one work. If you’re super-pro, you’ll include the post-production schedule also.
- Take attendance.
- Don’t let anyone stand around. If they’re present, they have to work. When they’re done, let them leave.
- Give general motivations, not line-by-line instructions (I was really bad at this.)
- Encourage the actors to work together when they’re not scheduled for a rehearsal with you.
- Let people know when they’re doing well.
- When someone consistently fucks up, remember that this is a collaboration. There is always something you can do to facilitate a solution.
- A kind word goes a long way, but bullshit will destroy you all – by bullshit, I mean false encouragement, allowing disruptive behavior to go unchecked, and settling for less than your best.
- You’ll get a lot of advice and pushback. Some of the input will be useful, some of it won’t. Be open to new ideas, as long as they will benefit your project.
- The more you do it, the better you get.
Note: 2/3rds of this recording were accomplished while both sick and drunk.